《荣耀六十年1938》电影在线观看完整版4K剧情片-速达影院

荣耀六十年1938 已完结

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简介：荣耀六十年1938剧情简介：Sixty Glorious Years is an exercise in the creati.. 详情

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影院名字：速达影院

片名:《荣耀六十年1938》

类型:剧情片

上映时间:1938

上映地区:英国

导演:Herbert Wilcox

主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

集数: 完结

语言:英语

剧情片《荣耀六十年1938》拍摄于英国,是一部非常好看的英语剧情片.荣耀六十年1938的拍摄场景宏大,场面震撼,吸引了无数荣耀六十年1938的观众,荣耀六十年1938在1938上映后一直深受好评，评分一度高达7.0。荣耀六十年1938的导演Herbert Wilcox完美呈现了荣耀六十年1938的紧凑剧情,荣耀六十年1938的演员是Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla，无论是在表情还是语言上都紧跟荣耀六十年1938剧情,荣耀六十年1938符合广大爱好者的喜爱.【速达影院】为您提供各种经典影视动漫,当下最热的电视剧,每日分享热门精彩好看的作品,欢迎大家收藏速达影院.

Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

荣耀六十年1938 已完结

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